Daarom stem ik 15 maart op Dilan Yeşilgöz

Ik had een collega die ontslag heeft genomen en de politiek is ingegaan en nu zie ik haar ineens overal”, vertelde een verbaasde ambtenaar me enkele jaren terug. ‘Dilan Yeşilgöz zeker”, zei ik meteen. Zijn verbazing kon ik plaatsen – we kennen allemaal van die mensen die grootse plannen hebben (meedoen aan de campagne van Hillary Clinton en zo) en daarna hoor je er nooit meer wat van. Maar Dilan Yeşilgöz, die leverde meteen aan tal van actuele onderwerpen een belangrijke bijdrage.

Ineens beschikte de Amsterdamse gemeenteraad weer over iemand die veiligheid prominent agendeerde, die opkwam voor vrijheid en die daarbij ook nog diepgaand verstand heeft van diversiteit & inclusie. Dat is belangrijk want veel mensen hebben vooral een mening over diversiteit & inclusie maar weinig inzicht in de maatschappelijke en organisatorische dynamiek die het teweeg brengt. Dat is wel nodig en Dilan heeft het.
Ja, je ziet Dilan Yeşilgöz overal, met veel enthousiasme en energie. Ik loop al wat langer mee in het politieke landschap en niet altijd met blijdschap. Zo zat ik vorige verkiezingen een campagneavond naast een kandidaat-kamerlid dat zich vrij passief opstelde en toen ik vroeg wat die persoon ambieerde, zei: “ik wacht het wel af”. Neem dan Dilan: vol vuur, passie en charme, altijd met uitstekende voorbereiding van zaken, vliegt ze erop af. Niks afwachten. Hup we gaan ervoor. Het is nooit nodig geweest om aan haar te vragen wat ze ambieerde wat dat is glashelder.

Mijn stem gaat daarom op 15 maart naar Dilan Yeşilgöz, lijst 1 plaats 19.

Wat ik bewonder in Dilan is dat ze heel erg zuiver kan redeneren en debatteren; ze gaat tot de kern van de zaak ongeacht met wie ze in debat gaat en wat het onderwerp is. Ze laat zich niet afleiden van waar het haar om gaat, terwijl ze in contact blijft met degenen om haar heen. Als je visie combineert met deze vaardigheden, kun je samen met leden van andere partijen (een noodzaak in dit land) mooie dingen bouwen voor alle burgers.

Diversiteit in Marokko en Tunesië

diversiteit inclusie marokko tunesie  Mijn ontdekkingstocht naar diversiteit & inclusie in Arabische landen gaat verder. Na de start in Jordanië (Jordanië blog 2 en Jordanië blog 1) ging ik aan de slag in Tunesië en Marokko met buitengewoon spannend verlopen trainingen. Niet alleen wisselt steeds de context, zowel nationaal als qua type bedrijven, ook is het bekijken van de wereld door de bril van diversiteit & inclusie een volkomen nieuw gegeven in die landen. Ik betreed dan ook met enige schroom de zaal waar de training plaats vindt. Gaat het programma voldoende passen in hun eigen context? Wat vinden ze ervan dat een Nederlander deze training komt geven? Hoe zal het ditmaal gaan met de taal? Want trainingen geven in het Engels en Frans betekent niet alleen voor mij werken in een tweede taal, ook de deelnemers hebben meestal een andere taal als moedertaal.
Het duurt gelukkig nog geen uur voordat we al helemaal aan elkaar gewend zijn. De inclusiviteit van de bedrijfsculturen die ik heb ervaren, helpt daar enorm bij. Diezelfde inclusiviteit leidt tot bovengemiddeld goede samenwerking als teamopdrachten moeten worden uitgevoerd. In Tunesië maakte ik bovendien discussies mee zoals ik ze zelden hoor bij trainingen in Nederland of Duitsland: de deelnemers waren heel open in het delen van ervaringen en vlogen elkaar hier en daar flink in de haren over de vraag hoe inclusief de organisatie nou werkelijk was > op een inclusieve manier, zonder elkaar te beoordelen of zuur te worden, wat in Noordwest-Europa bij al teveel openheid in bedrijven nog weleens het risico is. Ik was diep onder de indruk en, ook niet onbelangrijk, wat hebben we gelachen. Toen ik de documentaire Danny in Arabistan – Tunesië zag – een aanrader! – herkende ik datzelfde beeld.
diversiteit inclusie marokkoIn Marokko werd ik daarbij nog verrast door de grote persoonlijke warmte van de deelnemers. Hard werken ging er gemakkelijk samen met positieve emotionaliteit, Een deelneemster gaf me na afloop haar prachtige oorbellen mee, als aandenken namens de hele groep.
Wat is het ontzettend leuk om zo samen aan diversiteit & inclusie te werken.

Ontmoet opvolger Alexander Pechtold bij het Mensa Fonds!

 

 

 

Rudo Slappendel is de veilingmeester op de Mensa Fonds benefietveiling van 11 februari 2017. Eerder trad hij al in de voetsporen van Alexander Pechtold. Tijd voor wat vragen aan hem….

Rudo, je leidt als vrijwillige veilingmeester de Mensa Fonds veiling: wat motiveert je?
Ik heb Mensa vanaf een zijlijn gevolgd, doordat mijn vriendin Leila Prnjavorac er actief voor is. Ik vind het een leuke club mensen en zet mij graag voor dit goede doel in.

Als professionele veilingmeester volgde je Alexander Pechtold op: hoe kwam dat zo?
Pechtold zou een veiling leiden, maar moest 15 minuten van tevoren afzeggen vanwege politieke verplichtingen. De organisatie zat met de handen in het haar. Ik had al eerder als veilingmeester opgetreden, dus voor mij een logische stap om mijzelf aan te bieden. Dit werd een succes en ik heb de hamer voor deze veiling van hem overgenomen.

Heb je verder nog ambitie om Alexander Pechtold op te volgen, als partijleider D66?
Nee hoor, dat mag hij blijven doen.

Wat vind je leuk aan veilingmeester zijn?
Ik vind het leuk om, in dit geval, voor het fonds geld op te halen. Het is leuk om met je publiek te spelen en net die ene euro mee eruit te kunnen slepen. Dus wees op je hoede zaterdag ;-).

Heb je nog een anekdote, tips, iets om mee te geven aan bezoekers…..
Een tip voor zaterdag; Pas op, als je kriebel aan je hoofd hebt, of naar een vriend/kennis zwaait. Je hand omhoog is een bieding!

Meer informatie over Rudo Slappendel vind je via: linkedin

Het programma en de kavels van de Mensa Fonds veiling 11-2-2017 vind je hier.

Portrait du décolonisé


In 2004, 1 year before the terrible riots in the French banlieues and 7 years before the Arab spring occurred, the Jewist-Arab-French-Tunisian writer Albert Memmi writes a stunning picture about decolonized countries and the decolonized citizens, both local and emigrated, in his book Portrait du décolonisé.
Memmi describes on a factual basis the disastrous situation of many decolonized countries: the poverty, the corruption, the oppression and how these factors interlink and prevent the decolonized countries to develop and prosper. It is a sad picture that, however, can be recognized by many who worked and traveled in decolonized regions.
In 2004, the Portrait du décolonisé was not well received in France. It was criticized because Memmi wonders why the 100.000’s of deaths in several African conflicts get a lot less attention than the 3000 deaths in the Israeli-Palestinian conflict. He was accused of ‘Zionistic’ views, which would de-qualify the other 96% of his book – it must have shocked a free-thinking intellectual like Memmi who is pleading so warmly for universal values for all to live in freedom and prosperity. And the book was criticized because his portrait of the 2nd generation emigrants is one-sidedly unfavourable. He describes the migrants children that feel lost and end up in (self)destructive ideas and behaviours. It is true that the successful youth, committed to a prosperous society for all, is absent in his book – though very much existent in reality. Nevertheless what he describes has predicted many of the problems we face today in extreme forms.
His book was not translated into other languages – as far as I know – although his earlier book Portrait du colonisé was recognized by many and translated in 20 languages. Portrait du décolonisé could have supported many who wonder what happened, in the 2005 riots in the Paris banlieus, in the 2011 Arab spring, in this decade of (self)destructive terrorism.
I was speechless and breathless when I read his book, and sorry not to have discovered it earlier. Not only is it written in the beautifull, rich and touching French that Memmi masters more than hardly any other writer. He also answers many questions that arose after 2011, but he wrote this already in 2004. His language is never politically correct; he talks in clear words on every single page about the facts as he sees them. However he is never rude, never insulting people like others do who want to breach the politically correct discourse. He proves himself (again) an intellectual who dares to stand up for values and ideas, regardless the consequences.
It is difficult to understand why the world overlooked this precious contribution in a era where the need for insight in the ex-colonial world is predominant. Does this world only read the works that are either extreme or un-controversial? Does this world reject views that are confrontational just by their factional description? If you read in French, read this book. The language is superbe and it will both inform and surprise you – even if you are already knowledgeable in this matter.

Some valuable links about Portrait du décolonisé:

http://arrow.dit.ie/cgi/viewcontent.cgi?article=1002&context=jofis

http://regardscroises.blog.tdg.ch/archive/2011/02/13/portrait-du-decolonise-albert-memmi-a-lire-de-toute-urgence.html

http://journal.alternatives.ca/spip.php?article1945

 

Street dogs in Famagusta

street dogs famagusta

In Turkish on this picture: ‘Love means sharing. With a cup of food and water, you can fill the stomach of a street animal. Signed by the volunteers of goodness”

 

 

The way people care for cats and dogs in their streets is a sign of deeper values, I wrote in earlier blogs Street cats in Northern CyprusStreet cats in Adana and Street cats in Istanbul. In Famagusta / Gazi Magusa on Turkish Cyprus, dogs and cats are not always taken well care of but they are usually at ease. street dogs famagusta

Especially the street dogs in Famagusta are friendly, welcoming visitors and keeping them company while they climb the century old walls that the Crusaders under the rule of the Lusignan Kingdom built around old Famagusta. You’d take the lovely dog home with you immediately, if you could. People tend to warn you for the stray dogs, telling you they will bite but it is unclear where this fear comes from.
Most inhabitants of Famagusta are kind with the street dogs and cats. We just saw one incident when four Iranian students wanted to enter a restaurant where a stray dog was lying on the doorstep and one of them made a point about it. However, the personnel didn’t give any reaction to the comments made – maybe because it was in Farsi and they didn’t get the point of the problem – and the three other students convinced the fourth one to get over it; which he litterally did. This shows how great the influence of others can be, and that you can also make a difference! In general street dogs in Famagusta were given a  home, or food at restaurants: see these pictures:
street dogs in famagusta      street dogs in famagusta
Love means sharing, as the picture above tells those who pass by on different corners of Famagusta. Apparently since a short time, local governments are obliged to care for street animals. Not all of them are doing it yet, but it is a start. The friendliness of Famagusta is a good start!

 

Anne Frank House Amsterdam: remembrance and reflection

Anne Frank House bookcase
2000 inhabitants of Amsterdam got free tickets to visit the Anne Frank House during evening hours without queues. I was lucky to be one of them: a great initiative, thanks! It was wonderful to wander through the ‘Achterhuis’ in a quiet and respectful atmosphere.
The Anne Frank House is not far from my home and I pass the long rows of tourists a few times a week or I better say: try to pass….It is always busy, noisy, not a place where you’d like to go as an inhabitant.
I think I went there once, as a child – I remember it quite well, especially the book case (on the picture) that served as protection from the entrance to the hide-out of 8 Jewish people. These people spent 2+ years there but were betrayed at the end and only one of them, the father of Anne Frank, survived the holocaust.
anne frank house quoteCompared to my childhood visit many elements were added in the ‘museum’; quotes on walls or on blinded windows – short video’s from witnesses, classmates of Anne and the like. They are very impressive.
What I remember most are the words of Otto Frank on his daughter’s diary. He always felt close to his daughter but when he read her diary after the war, he realized that she never showed the deep thoughts and feelings that she wrote down. Since that moment he thinks that parents rarely know their children to the full. I guess that could be true. The way he expresses is very refined and respectful towards his daughter. I cannot write it down, you have to go visit the Anne Frank House and see that movie to understand the impression it made. And then imagine that he read that diary when she had already died (when she had already been killed). He would never have the opportunity to ask her any question any more…
Anne Frank House opening hoursI really thank the Anne Frank House for this opportunity. I wonder why this does not become more usual in Amsterdam. As for me, it is not about the free ticket, but the fact that I could go at 21.00h (I came home from work only at 19.30 and had to have dinner first) and that I did not need to wait in a queue or go in with plenty of loud speaking tourists. Would it be financially difficult for musea to have similar evening offers or are they just not used to opening hours in the evening?
As for the Anne Frank House tonight, it left me with quite some emotions as we live in difficult times and the idea that ‘it could happen again’ is in the hearts and minds of many. A place for remembrance and reflection, most valuable.

 

Amsterdam Tower: a must-visit!

Amsterdam tower

It is new and it is brilliant, the Amsterdam Tower – a remake of the former Shell research labs in Amsterdam. I had a great time this week while giving a presentation about dealing with international business and culture in front of spectacular views over Amsterdam. Nevertheless my public was highly attentive, for a moment I doubted whether they would be with me at all but they did 🙂
If you look at the photo above and you see the 9 meter high windows in top of the building, that is where I stood – and here are some pictures of the views:

amsterdam tower  amsterdam toweramsterdam tower  amsterdam tower
The making of the Amsterdam Tower is a story out of a wizard book: three Dutch guys who were succesfull in the international music scene decided to cooperate in this and won the battle for the tower in competition with 34 other interested parties. They turned it into a combination of music company offices, a hotel, different bars, restaurants and clubs with a 360° turning restaurant in top: a music tower!
On top they offer a platform for all inhabitants of Amsterdam and our tourists to watch the spectacular panorama and to take a seat in Europe’s highest swing: the Amsterdam lookout. Alas I had serious business to do when I was there so I definitely have to come back to experience that swing!
Our city is blessed with these creative entrepreneurs who make such major contributions to the quality of life in Amsterdam: well done, thank you guys!
Last but not least an photo-impression (made with my phone, lack of quality, in reality much better) of the elevator going up: the music experience starts already from there…
amsterdam tower elevator  amsterdam tower elevator
Amsterdam Tower, a new experience not to be missed!

Bardo Museum – Musée de Bardo Tunis: wowowow!

baptism mosaic

If you think many mosaics, think more. If you imagine an endless view of mosaics, double or triple what you imagine and that is what the Bardo Museum in Tunis offers you. I knew the collection of mosaics this museum contains is thrilling but I could not have guessed the amount and the size of the beauty: wow, just wowowow.
‘Are you really going to the Bardo Museum?’, people asked me in surprise. A terrible terrorist attack took place on this museum just two years ago. But of course that means that it is now the best protected monument of the country, Tunisia. Do not hesitate, just go. Nowhere else in the world you will find this abundance of mosaic beauty and such an oversight of mosaic art in different periods and denominations: Roman, Christian, Jewish, Byzantine or just ‘Carthago’.
mosaic bardo museum  mosaic lake bizerte - lac de bizerte
However, that is not all. They have fantastisch Punic pieces (statues, masks, steles), nice jewelry of the Vandals – proving vandalism has beautiful sides! There is some Roman and pottery stuff that I found less interesting; at least it is less unique. But the great Ottoman hall of the Bardo Museum leaves you in surprise, wondering why you find that more beautiful and refined than the Topkapi Palace in Istanbul.
ottoman period bardo museum  ottoman ceiling bardo museum
The rest of the museum is more or less non-existent: the coffee sign leeds to a completely deserted part of the museum where coffee nor any other consumption could be found. The museum shop that could imo be thriving, is a disappointment. The toilets are clean however, kept so by a most gentle attendant. Overall, the museum personnel is really helpful: they want you to enjoy your stay and do everything to make sure you will see what you came for. Only because of their kindness I found the Punic room that I was desperate to see after the mosaics. The logic of the museum plan is not clear for all but the personnel compensates largely for that: a big thanks to their involvement and enthusiasm!
More info at the site of the Bardo Museum in English or the Musée de Bardo in French.

 

Unique coins in Money Museum Tunis

money museum tunis‘Well, they have coins’, Tunesians told me when I asked them what the Money Museum (Musée de la Monnaie) is like. Their tune was not very respectful, in their eyes it did not seem worth a visit. I wanted to see the museum anyway, especially as it is not mentioned in tourist guides and these can be the most interesting visits like the Museum of the History of Cypriot coinage, another hidden pearl. I was certainly not disappointed.
This museum is found within the Tunesian Central Bank and depicts the history of coinage in the area: that means it starts already in the time of Carthago, 4th century BC. Most interesting for me were the coins from the era of the califates like the Ommayyads, Fatimides, Aghlabides and Abbasides: it was like a new world opening for me. musee monnaie tunisAlready in the first century of islamic era, coins were made with Qu’ran inscriptions and this museum shows a good quantity of them (a lot in gold, part of the attractiveness of course).
Another thing I learned is that coins can be shiite or sunni. First I thought I misunderstood but the proof was in front of my eyes.

shiite coins

shiite coins

sunni coins

sunni coins

I seriously studied these coins but I am afraid my expertise is too limited to understand the subtile differences.
There is, overall, a very good explanation that goes with these coins but not in English: in Arabic and in French. For the coins of the early centuries I must say it was difficult to relate the information given to the coins as exposed. This suddenly improved when the period of antiquities was left behind. From then on, all is clear, although sometimes quite detailed. For experts, this is the absolute place to be.
The museum also shows some interesting notes that tell us which heroes of the past are valuated enough to be on the national banknotes. I saw f.ex. Ibn Rachik, Hannibal, Ibn Khaldoun.
It has many square coins: square coins musee monnaie tunisAnd it presents plenty of memorial coins, and coins of special sites where I found Amsterdam among them.
coins about sites musee monnaie tunislibrary musee de la monnaie tunisLast but not least: the library they have offers books in 5 or 6 languages, not just about coinage but also about history and art of the region. It is an excellent collection for those who want to study and it seems to be an undiscovered place: you can sit there in complete tranquillity, surrounded by friendly workers who are happy to welcome anyone interested in their cultural heritage.
The Money Museum (Musée de la Monnaie) of Tunis: worth a visit!

fairversity in Vienna

fairversity1
Today I was at the fairversity in Vienna, as board member of idm (the international society for diversity management for those speaking German 🙂 and it was very interesting. Most people I spoke to think diversity is quite a new subject to most Austrians, especially when looking at the advantages diversity can bring to organisations and the economy. That concept found a fertile ground in Austria a few years ago and these visitors were happy about that development. Many of them were looking for more indepth information about diversity & inclusion. It was no surprise for them that competence is needed to profit from diversity. They were eager to know more about that competence. Maybe this sounds logical to you, my dear reader, but it is certainly not a generally accepted idea – in Germany and the Netherlands the approach of diversity can be more moralistic which means that having a good heart and an open mind is seen as the key asset, rather than competence.
fairversity viennaThere was another interesting experience. I had to do a 30-minutes presentation at the fairversity. Presentations were ongoing so I decided to make it interactive to prevent being boring, as number 9 in a row of presentations. That was a new approach. All presenters just said what they had to say and that was it. No questions asked, no comments given, no information provided by the public. If we think that the benefits of diversity come with a learning organisation – and I saw an Austrian publisher on fairversity who had books about it – we need more interaction and dialogue. The first fifteen minutes my public was staring at me in surprise but after that they started to enjoy it and came up with real good ideas. Austrians have a good sense of humour, also in diversity. They have a special word for that: Schmäh. I love it!

Amsterdam Maker Festival – to be developed

amsterdam makers festival
‘Vague’ is the best word for the impression the Amsterdam Maker Festival made on me. I must have missed something but to me it was more a fair than a festival. I think most people did not spend more than 1-1,5 hours there. Somehow the announcement of this ‘festival’ created big expectations but I guess the floor was too innovative for simple visitors to get any idea of sense and nature of what was going on – especially on the first floor where Makerversity resides. It is clear that the 1st floor is an inspiring working area for new businesses but what on earth were we as visitors doing there? I liked the Javascript-Dress though (< on the left) but it was just hanging there, no one around, no explanation or anything. Why, what, how??
amsterdam maker cafeOn the groundfloor the program was accessible for all: drinks, food, all Amsterdam made. Think of Kesbeke, Frites uit Zuyd, and the best peanut butter I ever ate – but strange enough the website of the festival doesn’t even mention them, nor some other very good products that show the best of Amsterdam.
amsterdam maker festival 3 On the 3rd floor, there was a mixture of concrete stuff like lamps, jewelry and a spectacular artist in velvet (Velvet Matters), her work is really worth a visit! However a big part of the floor was empty and there were also objects like this one on the left – again no one around, no explanation or anything. Why, what, how??
The idea of an Amsterdam Maker Festival is great, I heard many positive reactions on that. For a next version, there is some work to do. For example, what is Amsterdam Made > does it really include Leiden, Nijmegen and the like? The festival seems to expand Amsterdam not just with a small circle but by conquering all of our country. And who exactly is the public for this festival: kids, grownups, nerds, general public, people who come to buy something, or people interested in some kind of experience (and then: what experience)? And last but not least: the website of the Amsterdam Maker Festival that is not very accessible for general public and does not mention half of the things general public would be interested in (like finding back the special peanut butter whose name I did not write down when I was on the spot). Amsterdam is a great brand that inspires many people. I really hope this will be continued!

Ik kan vliegen: wow!

ik kan vliegen
Met vliegen heb ik niets, maar ik heb wel iets met Jeroen Komen. Dus toen ik zijn nieuwe boek Ik kan vliegen kreeg, met een mooie persoonlijke opdracht voorin geschreven, ging ik het lezen vanwege die persoonlijke band hoewel – ik geef het eerlijk toe – ik dacht dat ik er niet veel aan zou vinden. Nou, dat kan ik meteen rechtzetten: het is een spectaculair goed boek. Ik heb het van a tot z gelezen en dat was alleen maar een genoegen.
Daar heb ik een tijdje over nagedacht: wat maakt dit nou zo’n goed boek voor mij? Dat zijn verschillende elementen. Jeroen heeft er bijvoorbeeld een erg persoonlijk boek van gemaakt. Het is een boek over levenslessen in de brede zin des woords; allerlei aspecten van het leven passeren de revue. Jeroen neemt ons mee op de verkenningstocht van zijn eigen ontdekkingen, zijn twijfels en zijn doorzettingsvermogen. De schrijfstijl, mooi en zonder opsmuk, werkt daar versterkend bij. Dat op de eerste plaats maakt dat ik het ademloos gelezen heb. Andere kwaliteiten van het boek zijn de afwisseling: als vlieger komt Jeroen op allerlei plaatsen (lees: culturen, mijn grote hobby) wat superinteressant is en zeker een bron van goede anecdotes. En dan zijn er natuurlijk de prachtige foto’s die hij zelf vanuit zijn vliegtuig gemaakt heeft. Het meest intrigerend vond ik die op pagina 68-69 (koop het boek en kijk zelf) om de simpele reden dat ik me tot in mijn slaap afvroeg of het hier nu een openbaar zwembad betreft of niet.
Veel boeken hebben zeker kwaliteit maar die zit vaak in deelaspecten en is niet consistent. Ik kan vliegen is van begin tot einde ‘af’. Ik hoop dat Jeroen of de uitgever eraan gedacht heeft dit naar de Koninklijke Bibliotheek te sturen want een plaats binnen het nationale erfgoed is verdiend. Warm aanbevolen!