It was an unexpected extra gift at a breakfast meeting of VNO-NCW entrepreneurs at the Hermitage Amsterdam: to see the new Rembrandt painting Portrait of a Young Gentleman exposed since a day in the museum. We were so happy that we could be part of this new joy! The new Rembrandt was discovered by Dutch art collector Jan Six on an auction in London where he bought it for 137.000 pounds only – as a 17th century specialist he knew rightaway that it was a real Rembrandt and he worked two years with several experts to prove it. He published his findings on May 16 as you can read in this NYT-article. The new Rembrandt is a spectacular finding that you can admire in the Hermitage Amsterdam until June 15.
Our meeting in the Hermitage proved us all about the benefits of the Art for Children program. Thousands of children in Amsterdam learn about art every year and some 140 talented kids follow a special program to develop their skills. All this is completely free of charge thanks to many generous donations. The approach is inclusive, children from all parts of the city participate.
I was impressed by the size and the quality of the program. Our meeting took place before the opening times of the museum and this is also the moment when children are free to visit 63 top pieces like the fantastic Dutch Masters, coming from the Hermitage St Petersburg and still to be seen in the Hermitage Amsterdam until May 27 (2018). They were watching, discussing, asking questions, making comments or just lying on the floor among top pieces to make their own drawings. I have not just fallen in love with the new Rembrandt but also with the Hermitage itself 🙂
Some specific paintings I like to mention here (it is impossible to describe 63 top pieces from the Dutch Golden Age):
Landscape with the prophet Elia
by Abraham Bloemaert (1583-1633)
Portrait of Cornelia Haringh
by Govert Flinck (1615-1660)
Birds in a parc
by Melchior d’Hondecoeter (1636-1695)
Portrait of an Old Jew by Rembrandt van Rijn (1606-1666)
“Ik had een collega die ontslag heeft genomen en de politiek is ingegaan en nu zie ik haar ineens overal”, vertelde een verbaasde ambtenaar me enkele jaren terug. ‘Dilan Yeşilgöz zeker”, zei ik meteen. Zijn verbazing kon ik plaatsen – we kennen allemaal van die mensen die grootse plannen hebben (meedoen aan de campagne van Hillary Clinton en zo) en daarna hoor je er nooit meer wat van. Maar Dilan Yeşilgöz, die leverde meteen aan tal van actuele onderwerpen een belangrijke bijdrage.
Ineens beschikte de Amsterdamse gemeenteraad weer over iemand die veiligheid prominent agendeerde, die opkwam voor vrijheid en die daarbij ook nog diepgaand verstand heeft van diversiteit & inclusie. Dat is belangrijk want veel mensen hebben vooral een mening over diversiteit & inclusie maar weinig inzicht in de maatschappelijke en organisatorische dynamiek die het teweeg brengt. Dat is wel nodig en Dilan heeft het.
Ja, je ziet Dilan Yeşilgöz overal, met veel enthousiasme en energie. Ik loop al wat langer mee in het politieke landschap en niet altijd met blijdschap. Zo zat ik vorige verkiezingen een campagneavond naast een kandidaat-kamerlid dat zich vrij passief opstelde en toen ik vroeg wat die persoon ambieerde, zei: “ik wacht het wel af”. Neem dan Dilan: vol vuur, passie en charme, altijd met uitstekende voorbereiding van zaken, vliegt ze erop af. Niks afwachten. Hup we gaan ervoor. Het is nooit nodig geweest om aan haar te vragen wat ze ambieerde wat dat is glashelder.
Mijn stem gaat daarom op 15 maart naar Dilan Yeşilgöz, lijst 1 plaats 19.
Wat ik bewonder in Dilan is dat ze heel erg zuiver kan redeneren en debatteren; ze gaat tot de kern van de zaak ongeacht met wie ze in debat gaat en wat het onderwerp is. Ze laat zich niet afleiden van waar het haar om gaat, terwijl ze in contact blijft met degenen om haar heen. Als je visie combineert met deze vaardigheden, kun je samen met leden van andere partijen (een noodzaak in dit land) mooie dingen bouwen voor alle burgers.
2000 inhabitants of Amsterdam got free tickets to visit the Anne Frank House during evening hours without queues. I was lucky to be one of them: a great initiative, thanks! It was wonderful to wander through the ‘Achterhuis’ in a quiet and respectful atmosphere.
The Anne Frank House is not far from my home and I pass the long rows of tourists a few times a week or I better say: try to pass….It is always busy, noisy, not a place where you’d like to go as an inhabitant.
I think I went there once, as a child – I remember it quite well, especially the book case (on the picture) that served as protection from the entrance to the hide-out of 8 Jewish people. These people spent 2+ years there but were betrayed at the end and only one of them, the father of Anne Frank, survived the holocaust.
Compared to my childhood visit many elements were added in the ‘museum’; quotes on walls or on blinded windows – short video’s from witnesses, classmates of Anne and the like. They are very impressive.
What I remember most are the words of Otto Frank on his daughter’s diary. He always felt close to his daughter but when he read her diary after the war, he realized that she never showed the deep thoughts and feelings that she wrote down. Since that moment he thinks that parents rarely know their children to the full. I guess that could be true. The way he expresses is very refined and respectful towards his daughter. I cannot write it down, you have to go visit the Anne Frank House and see that movie to understand the impression it made. And then imagine that he read that diary when she had already died (when she had already been killed). He would never have the opportunity to ask her any question any more…
I really thank the Anne Frank House for this opportunity. I wonder why this does not become more usual in Amsterdam. As for me, it is not about the free ticket, but the fact that I could go at 21.00h (I came home from work only at 19.30 and had to have dinner first) and that I did not need to wait in a queue or go in with plenty of loud speaking tourists. Would it be financially difficult for musea to have similar evening offers or are they just not used to opening hours in the evening?
As for the Anne Frank House tonight, it left me with quite some emotions as we live in difficult times and the idea that ‘it could happen again’ is in the hearts and minds of many. A place for remembrance and reflection, most valuable.
It is new and it is brilliant, the Amsterdam Tower – a remake of the former Shell research labs in Amsterdam. I had a great time this week while giving a presentation about dealing with international business and culture in front of spectacular views over Amsterdam. Nevertheless my public was highly attentive, for a moment I doubted whether they would be with me at all but they did 🙂
If you look at the photo above and you see the 9 meter high windows in top of the building, that is where I stood – and here are some pictures of the views:
The making of the Amsterdam Tower is a story out of a wizard book: three Dutch guys who were succesfull in the international music scene decided to cooperate in this and won the battle for the tower in competition with 34 other interested parties. They turned it into a combination of music company offices, a hotel, different bars, restaurants and clubs with a 360° turning restaurant in top: a music tower!
On top they offer a platform for all inhabitants of Amsterdam and our tourists to watch the spectacular panorama and to take a seat in Europe’s highest swing: the Amsterdam lookout. Alas I had serious business to do when I was there so I definitely have to come back to experience that swing!
Our city is blessed with these creative entrepreneurs who make such major contributions to the quality of life in Amsterdam: well done, thank you guys!
Last but not least an photo-impression (made with my phone, lack of quality, in reality much better) of the elevator going up: the music experience starts already from there…
Amsterdam Tower, a new experience not to be missed!
On the groundfloor the program was accessible for all: drinks, food, all Amsterdam made. Think of Kesbeke, Frites uit Zuyd, and the best peanut butter I ever ate – but strange enough the website of the festival doesn’t even mention them, nor some other very good products that show the best of Amsterdam.
On the 3rd floor, there was a mixture of concrete stuff like lamps, jewelry and a spectacular artist in velvet (Velvet Matters), her work is really worth a visit! However a big part of the floor was empty and there were also objects like this one on the left – again no one around, no explanation or anything. Why, what, how??
The idea of an Amsterdam Maker Festival is great, I heard many positive reactions on that. For a next version, there is some work to do. For example, what is Amsterdam Made > does it really include Leiden, Nijmegen and the like? The festival seems to expand Amsterdam not just with a small circle but by conquering all of our country. And who exactly is the public for this festival: kids, grownups, nerds, general public, people who come to buy something, or people interested in some kind of experience (and then: what experience)? And last but not least: the website of the Amsterdam Maker Festival that is not very accessible for general public and does not mention half of the things general public would be interested in (like finding back the special peanut butter whose name I did not write down when I was on the spot). Amsterdam is a great brand that inspires many people. I really hope this will be continued!