Are Jews White?

are jews white?

Are Jews White?, is the name of a new exposition in the Jewish Historical Museum in Amsterdam. As an expert in diversity and inclusion, I went there almost immediately after the opening. Are Jews White? is an interesting and also a bit disappointing exposition. I explain you my mixed feelings in this blog.

When you enter the expo, there are a number of signs on walls and pillars, and a short introducton video. After that, you arrive in a former synagogue which is the religious part of the Jewish Historical Museum. I was surprised: was that all? Indeed it wasn’t. After the religious part, the exposition Are Jews White? continues. Video has a central place. The exposition makers have interviewed around ten persons with different background who reflect on the theme Are Jews White?. After some nice cutting and pasting, they produced a good series of interesting comments on the subject: many aspects of the theme are thus covered from different perspectives. A disadvantage however is that this production does not elevate the theme above the average ‘circus of opinions’. I could not discover where Are Jews White? rises above existing concepts. Are Jews White? rather shows how deeply we are imprisoned in boxes, unable to liberate ourselves from them.

To me, the concept of black and white is evidently not applicable to Jews (and many others). I remember how I visited a camp with Jews from Ethiopia in Tel Aviv who newly arrived, somewhere in the begin of this century. They had been health care workers in Ethiopia and were preparing for a similar job in Israel. They had a good selfconfidence of what they had to offer to Israeli Jews – for example, more respect for the elderly – but many of them felt underestimated and discriminated upon. Therefor I wondered how the exposition would work this out. Are Jews White? failed to do so, but shows clearly that the concept of black and white has strong limits and serves rather as a concept to divide people more than to unite them.

Professor Gloria Wekker is one of the persons interviewed in the video. Her concept of intersectionality has no answer to the Are Jews White? issue. Intersectionality (in my view) was an original concept encouraging us to leave a dualistic world and enter the multifaceted one. Especially when Gloria Wekker just started as a professor and called her concept ‘kruispuntdenken’ (crossroad thinking), it was much more open to the dynamics of diversity. Something went wrong during the years along the intersectional road. Not only did intersectionality create more boxes, these boxes are also more oppressive, there is no escape from them.

are jews white? zijn joden wit?

The result, and that is very clear in Are Jews White?, is that Jews would be called black or white for political reasons, or for the opinion people have about them, or that they have about themselves. The tragedy is that this limits Jews to be who they are. And indeed this may be true for all of us: the concept of black and white limits us all. Of course I understand that the concept of black and white serves to explain the construction of society but let’s be fair: watching the video in the exposition, it is clear that the concept of black and white is more than a methodology. It serves the need of many to be part of a group or to see others as such. It provides a safe world of boxes where skin color and other aspects are all well set and clear and can be explained in predictable terms. The exposition fails to explain this need at a deeper level: why do we need to put people into categories? Why do we get upset when Jews do not fit in?

Maybe the ambition to have more answers is too high. I remember my last visit to Israel when I discussed with a scientist in the Holocaust Museum: why is there antisemitism, and why does it seem to be always there? He admitted that as a scientist, he can prove it is there and describe it, but he can not explain it scientifically.

My guess is that the Jewish Historical Museum created Are Jews White? to open the discussion about (useless) boxes and to prevent that we lock ourselves in and that we try to lock Jews in. We have to live with a rather misty and multi-interpretable reality for ourselves and for others, even though that comes with uncertainties. All-in all, I recommend the exposition. For your notice, it is totally bilingual (English and Dutch).

benjamin en chaila cohen
kaatje cohen

And don’t forget to walk by the paintings I show on the picture here, that I adored above every object in the museum, especially the woman’s dress: Benjamin and Chaile (Kaatje) Cohen from the 18th century. There’s more info about them but you will find that when you visit…

Ribbius Peletier-penning 2021

Ribbius Peletier-penning

Toen ik het persbericht van de provincie Noord-Holland las, kon ik mijn ogen niet geloven: Sylvana Simons krijgt Ribbius Peletier-penning 2021.

De jury is van oordeel dat Sylvana Simons een onderscheiding verdient omdat zij een voorbeeld is voor de volgende generatie vrouwen” meldt het persbericht “en omdat zij zich publiekelijk uitspreekt over de combinatie van seksisme en racisme en zo sociale onveiligheid in de politiek bespreekbaar maakt. De bewustwording waar zij aan bijdraagt is belangrijk. Want de verharding van het politieke debat die we de afgelopen jaren zien, kan vrouwen afschrikken om deel te nemen aan de politiek.”

Met de uitreiking van een onderscheiding wil je naar mijn mening een bepaald gedrag en een bepaalde beweging stimuleren. Door deze toekenning werkt de provincie Noord-Holland mee aan wat het handelsmerk van Simons is: polarisering brengen en doen of het normaal is om altijd en overal eerst te denken in termen van kleur – waarbij wit ook een kleur is – en in termen van groepen. Daarom neem ik als Statenlid van de provincie Noord-Holland nadrukkelijk afstand van deze toekenning. Ik licht dat hier toe.

Simons is een vrouwelijke Wilders, een sterke debater die haar punt weet te maken over de groepsindeling van mensen in de vorm van identiteitspolitiek. Door de kracht van herhaling weet ook zij een verrassend groot aantal mensen te overtuigen van haar visie, dat vooral kleur en tevens sekse allesbepalende factoren zijn in relaties tussen mensen en in de inrichting van de samenleving: factoren waar geen ontsnappen aan is. Dat dit haar persoonlijke ervaring is, vormt geen probleem – het probleem start bij de veralgemenisering van die ervaring, en de vele aanvaringen die ontstaan in haar contacten met mensen die blijven hechten aan hun eigen ervaring. Simons raakt verwikkeld in het ene conflict na het andere en draagt net als Wilders bij aan de polarisatie in de samenleving. Dat mag, maar het is geen voorbeeld.

Ons democratisch stelsel biedt gelukkig ruimte aan opvattingen in een zeer breed spectrum: Wilders heeft zijn plek in dat stelsel net zoals Simons dat heeft. Wilders wordt al vele jaren zwaar beveiligd en ook Simons heeft een enorme lading aan bedreigingen, racisme en seksisme over zich heen gehad. Dat is een zeer donkere kant in onze democratie waar we ons met kracht tegen moeten verzetten. Het is dieptriest dat volksvertegenwoordigers beveiliging nodig hebben om hun werk te kunnen doen. Alle middelen die daarvoor maatschappelijk ter bescherming worden aangewend, zijn terecht evenals educatie die ons hopelijk verder brengt in het kunnen omgaan met meningsverschillen – ook als het om uitersten gaat.

Simons heeft recht op haar aanpak, echter, dat is iets heel anders dan een officiële provincieprijs aan haar gaan uitreiken als voorbeeldvrouw. De regels voor de uitreiking van de penning behelzen immers de voorwaarde dat betrokkenen van onbesproken gedrag zijn. Dat is hier niet het geval. Een dergelijke toekenning van de Ribbius Peletier-penning maakt de provincie Noord-Holland tot een actievoerend orgaan: zijn mensen die het conflict en de polarisatie opzoeken, het voorbeeld dat wij als provincie willen stellen? Blijkbaar wel. Als Statenlid neem ik daar nadrukkelijk afstand van.

Wie moeten we dan nomineren? Ik weet wel iemand: Wil van Soest. Een vrouw die geboren en opgegroeid is in de tijd dat je als vrouw in dit land nog geen eigen verantwoordelijkheid mocht dragen. Als je een bankrekening wilde openen, moest je toestemming van je man hebben en als je ging trouwen, gaf de overheid je ontslag. Een vrouw die zich daardoor niet liet ontmoedigen, die nu over de tachtig jaar oud is en nog steeds politiek actief. Die anderen heeft gestimuleerd hetzelfde te doen, ongeacht hun afkomst of kleur, en dat nog steeds doet. Zie hier de 1 minuut-video van de ‘onderscheiding’ voor deze vrouw, haar toegekend door Simons: https://youtu.be/OGGvzHRPC0Q .

Ons’ Lieve Heer op Solder

Ons' lieve heer op solder altar

Ons’ Lieve Heer op Solder is a special and well hidden treasure in the oldest part of Amsterdam. Ever seen a church in the attic of a canalhouse? For that unique experience, this museum should be on your wish list!

canal house ons' lieve heer op solder

Museum Ons’ Lieve Heer op Solder (Our Lord in the Attic) surprises the visitor who starts his tour in a ‘normal’ canal house and suddenly arrives in a church that can host quite a few visitors. You don’t feel that coming and that was exactly the point for this catholic church. In 17th century, the Dutch Golden Age, the religious war between roman-catholics and protestants was won by protestants in Amsterdam. Catholicism was officially banned but in the meantime, many catholics could still go to hidden churches all over the city – as long as they wouldn’t be visible, they would not be bothered.

At that time, accepting in silence that people would not give up their faith and letting them to worship according to their own rules and wishes was seen as a strong sign of tolerance. Thus Ons’ Lieve Heer op Solder is a museum that shows the roots of tolerance in an intolerant world, a characteristic that was very strong in 17th century Amsterdam that also opened the door for many Jews.

Your visit to Ons’ Lieve Heer op Solder starts in the canalhouse, with rooms like the kitchen here on the right, with stairs leading up and down in the narrowness that is usual in canalhouses in Amsterdam. I loved the stairs maybe even more than the rooms. Pottery is shown that was found in a cesspool, as well as the bedroom of the canalhouse owner.

There is also a room with 18th or 19th century classical design to give you an idea how people lived there at the time. I particularly liked the painted ceiling that you can see at the photograph. After this look into canalhouse-life, you can climb another staircase and boff, there you are, in a church that is not at all visible from the outside.

ons lieve heer op solder organ

The colour surprised me. The guard at the entrance knew all about Ons’ Lieve Heer op Solder and answered many questions, also the one on the pink paint in the museum. The church is in it’s original, 19th century state, a Victorian period where this colour was popular. Moreover there are many details and artefacts that are older, like the painting of Jacob de Wit at the altar (first half 18th century) and the organ (1794)

As you can see in the picture, the church has several floors and you can walk downstairs or go to the first floor. The church was founded by a rich German merchant, Jan Hartman in 1663.

peter parmentier priester ons' lieve heer op solder

Next to the church is the room where the priest lived: Peter Parmentier. He dedicated already decades of his life to the conversion of Amsterdam so probably it was logical that he got the job…
While making your tour through the canal house, do not forget to look out of the windows – the view on the canal is beautiful, and at one point also the tower of the Old Church can be spotted!

Ons’ Lieve Heer op Solder is living difficult times (summer 2020) as it seems to loose it’s financial support from the government. I am sure a solution will be found as this is among the oldest museums of Amsterdam and a more than unique reflection of the religiously diverse history of Amsterdam. However, you can contribute yourself by paying a visit to Ons’ Lieve Heer op Solder and/or fund them with your donation. Warmly recommended!

Other places to visit in Amsterdam:
Hermitage Amsterdam
Anne Frank Huis
Adam Tower

Another very interesting museum about the 17th century, the Dutch Golden Age:
Westfries Museum Hoorn

The Coffee Trader

The Coffee Trader is a good book for you, a friend told me and sent me a second hand version by post. My friend was right. What a story about trade in 1659 Amsterdam, where cultures and religions vary and new ways of doing business occur in the markets. David Liss is a writer who knows the word research: he depicts the 17th century with many details of context and history. A great book!

The Coffee Trader tells about Miguel Lienzo, a Jew who lived in Portugal as a converso – a Jew converted to Catholicism – like many other Jews. However the conversos in Portugal were still facing discrimination and many had to fear for their life. So he flew to Amsterdam, at that time a safe haven for Jews. Jews in Amsterdam could practice their religion and be active in trade – although there were plenty of rules between Jews and non-Jews. That in itself is a story so interesting that it is worth to read the book for it. You’ll learn how different communities found a way to live together in a religiously and culturally divided city and have relative peace and justice; at that time, unique in Europe.

Also it is intriguing how converted Portuguese Jews rebuilt their ‘identity’ in Amsterdam. A well organised structure supported those who knew little or nothing about that identity. I particularly liked the description of a woman’s position, Miguel’s brother’s wife Hannah who was brought up in ignorance, thinking she was a Catholic and unable to read or write. In Amsterdam, she is suddenly a Jew, supposed to adhere to a religion and a people that she had learned to despice. She is not walking on that path automatically.

New for me was also the idea of a Mahamad, an 17th century authority in Amsterdam that dealt with all matters for Jews: religiously, politically and legally. Together with rich Portuguese tradesmen they supported the poor Jews, so that the Dutch in Amsterdam would not complain about a burden on their back that came with the Portuguese refugees. However, when tudescos, Jews from eastern countries like Poland arrive in Amsterdam, that attitude is less generous. Most of the tudescos are poor. Although they faced very severe persecution in eastern Europe, the Mahamad takes measures to make their life difficult in the hope that they will choose other destinations than Amsterdam. There are really surprising details about the historical context in The Coffee Trader – and by the way nothing that could not be seen today…

the coffee trader

Miguel lives in an era where tradesmen can easily become very rich or the opposite: loose everything they have. This period in Holland is called the Golden Age and brought a lot of wealth but it was risky. Miguel lost almost everything in the trade of sugar and now wants to try his fortune in a brandnew product: coffee. He wants to acquire the monopoly over this new drink that he estimates to be very promising. His strategy is breathtaking. And so is his playing field. There are so much rumours and hidden agendas around the trade market of Amsterdam that the story is a dazzling experience for the reader. It is really difficult to remember all that’s happening or has been said or might be possible. And that was exactly the reality for tradesmen in 1659 Amsterdam. How can they make their daily decisions without an excellent memory and the right focus?!

Many ethical questions come with the way business was done amid rumours and hidden agendas. Intriguing is the fact that in the end, the hidden agendas Miguel expected were exagerated. Half of them can be interpreted as misunderstandings or even imagination. An interesting lesson learned – but still, when bankruptcy is around the corner for tradesmen who do not watch their backs in the all or nothing market of 1659 Amsterdam, maybe inevitable.

handelaar in koffie

Even though The Coffee Trader appeared already in 2000, this book is of great interest also in 2020. In the light of history, these 20 years do not matter at all. Go read it if you love Amsterdam, if you love trade, if you love history, if you love Jews and the Dutch, if you love risk taking and of course: if you love coffee!
The Coffee Trader exists in Dutch under the title Handelaar in koffie.

You may also like these blogs:
Anne Frank House
Minorities in Gaziantep
Jewish Museum Warsaw context

Westfries Museum Hoorn

westfries museum hoorn

I often went to the beautiful city of Hoorn but I never visited the Westfries Museum Hoorn. That was a mistake! When I finally took the step to visit last week, I saw how beautiful it is, both the ancient building and the collection; I should have gone there before… Learn about the Dutch Golden Age, the 17th century when the Netherlands were a brandnew state, full of ambition in wartorn Europe. Enjoy the attractive presentations!

westfries museum hoorn

Westfries Museum Hoorn is like the Frisians are: it won’t easily show from the outside what is in it. I was never aware that behind the walls of the indeed beautiful ancient building, a wealth of antiquities awaits the visitors. Rooms are decorated like they were in the 17th century. The picture to the left shows a wood carving in a chimney (oak), of men catching a whale: a wonderful picture. This is in the ‘tavern’, a real nice room where you can imagine how people sat together for eating and drinking.

westfries museum hoorn

17th paintings are everywhere. The museum has got magnificent pieces and they have a lot of them. Moreover it is far less busy than museums in Amsterdam so you have all the time you like to watch them in peace and silence.
It is incredible how this 17th century ‘beginning’ country The Netherlands that was threatened from all sides, both by real ennemies like England and Spain, and by natural ennemies such as sea and rivers, built up an imperium with little means, by joining forces together and showing guts and re-thinking trade. It made cities like Hoorn thrive abundantly. Look at this wonderful painting Hoorn View by Hendrick Vroom in 1622 – admire the colours, the details…

westfries museum hoorn
westfries museum hoorn

Another painting I particularly liked is the Kitchen maid who cleans fish in front of farm with dog by Egbert Lievenzs. van der Poel (1621-1664). It is so different from the paintings of all the important guys (Westfries Museum Hoorn has many in this kind). Ordinary life with ordinary people can be as interesting or even more than the endless row of portraits on all the other walls.

westfries museum hoorn

Now I show you some other pieces that attracted my attention. It is only a selection, to give you an impression of what to expect and indeed I was deeply impressed. Enjoy the variety of what the Westfries Museum Hoorn has to offer!

westfries museum hoorn

The best piece for book lovers: chronicles of Hoorn, published in 1740. Telling the begin and the growth of Hoorn, and in particular the events (the ‘troubles’) until the year 1630. Written by Theodorus Velius, a doctor and a well know chronicler who wrote this in 1704. You can find the tekst of the first pages (in Dutch) on this site. The 1740 version has annotations by another expert, what a joy. Imagine how they produced this, in a time that a book was printed page by page!

westfries museum hoorn

Cutting art, art produced by cutting with scissors; it was difficult to photograph because of the glass reflection as you can see but hopefully you can get a good impression. De Faem was made by Gilles van Vliet, a vinegar maker and wine merchant in Rotterdam 1686. This was only his hobby! But his work had a certain fame because of his ‘excellent curieuse pieces’. Absolutely amazing work and you wonder where someone finds the patience for this art…

Down in the cellar, a lovely niche is reserved for this wooden Maria statue. It dates from 1450 – 1500, is made out of oak, the crown is made of gold with silverthread, pearls and gemstones. A sign mentions that it is called a ‘Maria in sole’ because she stands on a crescent moon, and she is lit by the sun and the stars, as described in Johannis’ Revelations. The cellar was totally quiet when I was there; it is a good place for meditation and prayer. Two chairs in the little niche facilitate visitors to do so.

westfries museum hoorn

Also in the cellar are these tiles, deriving from a farm in Andijk, not far from Hoorn in Westfriesland, dating from 1700-1730. The whole piece forms a ‘wall heater’ and depicts biblical scenes. There are more ‘wall heaters’ in the cellar as well as other interesting tiles. So do not forget to visit the cellar – if you skipp that part of the museum, you really miss something!

Another underground treasure: this painting that is part of a large piece, a tryptich, the Hoorn Panel of Justice. It used to hang behind the judges at the wall of the court room of the old townhall and shows the assumptions of jurisdiction. Most probably several painters worked on it from 1521 – 1530 and it contains 5 stories. I loved story number 4 (on the photograph), the Verdict of Herkenbald. Herkenbald of Bourbon was very ill in his bed when he ordered that his cousin had to be locked up for assaulting a maid. His order was not followed. Therefor Herkenbald cut the throat of his cousin all by himself. Whew…. I stood there thinking what this meant for the court room and the judges that were sitting in front of this painting in the 16th century… What could be the right interpretation of this story?

westfries museum hoorn

This is one other of those incredible museum pieces. The painting dates from 1589, that is now exactly 430 years ago. And what do they show here? The Westfries Museum Hoorn does not just have the painting, it also has the original box that is depicted in the painting. Isn’t that wonderful? I stood there in surprise and believe me, it matches: the box is exactly the box that was painted 430 years ago. Little is known about the painting, the sign mentions ‘two members of the Saint Joris Guild’ – oil painting on linen. OK, so far what we can know about it. As said knowing is not always the most interesting part.

westfries museum hoorn

Another very interesting piece, the gold plated silver Bossu Goblet: I did not find this beautiful or so but it served as a trophy for Hoorn and that is intriguing. It once belonged to the Spanish admiral Maximilien de Hénin-Liétard, the earl of Bossu. In the eternally ongoing war at that time (the 80 year war) the admiral was defeated in 1573 in a war on the water (or sea) close to Hoorn. The goblet in the hands of the people of Hoorn symbolized the new power of the city of Hoorn (and Enkhuizen, also in Westfriesland) that thrived after this heavy battle against the Spanish that they won. I find it so interesting in the Westfries Museum Hoorn, that every object has a story with historical relevance.

westfries museum hoorn
westfries museum hoorn

A coffin dating from 1658: who knows how many bodies were transported in this coffin? Intriguing that it has been preserved during centuries. The four corners are decorated with silver plate angels. I did not find any further explanation about this piece (feel free to comment below!) such as until when it was used and whether it was for the rich only or also for ordinary people. However, very beautiful…

How often do you see table ware with a hare? Here they are, in different shapes and colours. I loved them! Just for the motive.
But if you like to know more, this is berretino-style faience from Liguria, Italy, 1580 – 1620. It appears that the coloured one is a local copy of the Italian work – quite a succesfull one, imo 🙂

Last but not least, I found this silver miniature, dating from 1751. The name of the maker is Arnoldus VAN GEFFEN – not really family I guess but I rarely hear my family name in this region far ‘above the rivers’ > Geffen is a village below the large Dutch rivers.
So I was happily surprised! Well done Arnoldus, I love your silverwork 🙂

You may also like these Dutch special places:
* Hilde’s House
* Adam Tower
* Anne Frank House
* Archaeological Museum Haarlem

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Dank aan de kiezers

heleboel kamelen die samen dicht tegen elkaar aan zitten

20 maart was de dag van de Provinciale Statenverkiezingen 2019: velen gingen naar de stembus, u en jij waarschijnlijk ook. Voor een stem op de VVD wil ik mijn dank uitspreken en in het bijzonder als ik op lijst 1, plaats 12 een voorkeursstem mocht krijgen: superdank!

25 maart kwamen de definitieve uitslagen van de verkiezingen: voor mij geen zetel nu. Wel het prachtige aantal van 2816 voorkeursstemmen: als het alleen aan de stemmen had gelegen, had ik nu in de Provinciale Staten gezeten. Voor een voorkeurszetel waren 5301 stemmen nodig, dus het was echt niet genoeg. Maar het grote aantal is wel opgevallen, dat haal je niet vaak op een plaats nummer 12. Daarmee wordt toch aangegeven dat er groot maatschappelijk draagvlak is voor mijn kandidatuur, zeker ook als je bedenkt dat de eerste 10 mensen op de lijst vanuit de VVD online-campagne actief ondersteund werden en degenen die lager stonden niet. Ik hoop dat er op een later moment kansen zijn om in te stromen en de visie waarop mijn kandidatuur rust in te kunnen brengen. Graag wil ik een ieder die hieraan heeft bijgedragen ontzettend danken voor het vertrouwen!

Stem deze Amsterdammer naar de provincie op 20 maart!

stem deze Amsterdammer naar de provincie
Stem deze Amsterdammer naar de provincie

Tijdens de campagne van de afgelopen weken heb ik veel mensen gesproken: op straat, bij mij thuis tijdens de huiskamerbijeenkomsten, online, bij debatten en andere events. Het is zo belangrijk dat mensen zich vertegenwoordigd voelen door iemand, ook in de provincie. Die persoon wil ik graag zijn.

De provincie Noord-Holland lijkt veraf te staan van bestuurlijk Amsterdam en vice versa. Ik wil de komende jaren werken aan verbinding want alleen zo verbeteren zaken als wonen, toerisme en bereikbaarheid. Ik ben de enige Amsterdamse vrouw op de VVD lijst, én een ondernemer die zich graag inzet voor doeners binnen en buiten Amsterdam.

Een onderwerp waar de provincie niet over gaat maar dat in veel gesprekken werd genoemd: hard werken en weinig geld overhouden door de stijgende kosten van huur, zorgverzekering, boodschappen enz. Daar moet de VVD iets mee want werken moet juist worden beloond. Gelukkig zijn er al mensen opgestaan die met dit thema aan de slag willen. Vanuit de provincie ga ik daaraan bijdragen wat ik kan!

Zie hier mijn YouTube over mijn motivatie, inspiratie van mijn betovergrootvader!
Zie hier mijn YouTube ‘Stem deze Amsterdammer naar de provincie’, met tevens beelden van de Spaarndammerbuurt waar ik woon.
Beide filmpjes heeft Martijn Koning bij Jinek met complimenten laten zien 🙂

Uitnodiging: welkom bij mijn huiskamerbijeenkomsten!

Op 10 en 17 maart organiseer ik twee huiskamerbijeenkomsten, met de Amsterdamse gemeenteraadsleden Hala Naoum Nehmé en Marianne Poot; je kunt er in alle rust praten over wat jou beweegt. Geef je nu op via deze link!

huiskamerbijeenkomsten

Hoe vaak kun je nou eens in alle rust spreken met mensen die in de politiek zitten? Meestal is het in drukke zaaltjes, aan de rand van vergaderingen, onder het oog van camera’s. Daarom organiseer ik twee huiskamerbijeenkomsten waarin je van gedachten kunt wisselen in een plezierige sfeer.
* op 10 maart: met Hala Naoum Nehmé – binnen en buiten de gemeenteraad hoor je haar over Wonen, een van de belangrijkste taken die zij vervult in de Amsterdamse politiek.
* op 17 maart: met Marianne Poot – al jaren bekend van Veiligheid, ze voert ook het woord over Schiphol en is de nieuwe fractievoorzitter van de Amsterdamse VVD.

huiskamerbijeenkomsten

De gesprekken worden begeleid door Laurent Staartjes, lid van de bestuurscommissie West. Zelf ben ik kandidaat voor de Provinciale Staten Noord-Holland, denk daarvoor aan onderwerpen als Mobiliteit, Wonen, Energietransitie, Klimaat, Cultuureducatie en Erfgoed en natuurlijk de provinciale belastingen (die zijn in Noord-Holland het laagst dankzij de VVD en wat ons betreft blijft dat zo).

Kortom, je krijgt op zo’n middag 3 voor de prijs van 1: stadsdeel, gemeenteraad en provincie! We beginnen om 15 uur en natuurlijk sluiten we af met een borrel.

Nieuwsgierig? Je bent van harte welkom, het maakt niet uit of je ervaring hebt in de politiek of zoiets gewoon een keer wilt meemaken. Je kunt alleen komen luisteren of juist je eigen mening naar voren brengen – we zijn nieuwsgierig naar wat jou beweegt. Geef je op via deze link.

Huis van Hilde – Hilde’s House

Huis van Hilde

Huis van Hilde, in english Hilde’s House, ‘is home to a spectacular exhibition of the archaeology and human history of Noord-Holland’: thus the introduction of the museum website. Nothing in these words is exagerated. Huis van Hilde is a fascinating museum where old findings are combined with new technologies in a way I didn’t see before in archaeological museums. That makes your visit a high quality experience!

Heavy fighting of the people of Holland with the people of Westfrisia in 1297 has left traces in bones that were found in the medieval village of Vronen, close to actual Alkmaar. They prove that the fighting was not just about winning but also about setting an example, learning the Westfrisians a lesson once and for all. Traces of stabbing with swords show the cruelties committed.

Huis van Hilde - slag bij Vronen

That history is the first thing you see when you enter the museum part of Huis van Hilde. It is intriguing to learn that in the 13th century there were both women and men in the fight. Every artefact shown in Huis van Hilde can easily be looked up in the tablets: this really opens a complete collection without being boring (if you’re not interested, you just don’t look into it).

huis van hilde

Screens on the walls show videos with more historic background or archaeological research. Findings of skeletons are used to bring people back to life, like the Archaeological Museum of Haarlem had done. The skeleton on the left here belonged to a man from the stone age (2500BC). The picture below shows the man as he must have looked in real life.

huis van hilde man uit steentijd


Models of farms show how people lived during different ages. And so on. Huis van Hilde is a very rich museum and very capable too: they know how to show you their treasures.
Languages used are Dutch, English and German; the tablets are Dutch only but very clear, you might be able to understand stuff.
I can only show some of the artefacts I liked here: there is a lot more to see. Artefacts I liked:

Two wooden canoes
Found in the soil of Noord-Holland.

On top is a canoe from Uitgeest 600 BC

Below is a canoe from the Wieringermeer polder 3300 BC.

huis van hilde sacrifice and ritual

Sacrifice and ritual
Very interesting objects found in a sacrificial site at Velserbroek.
During ages, starting at Iron Age, people threw objects in the bog such as jewelry, human bones, coins and pots.
The presence of animal skulls – horses and dogs – and spearheads indicate worship of the Germanic god Wodan.

Huis van Hilde - flutes

Flutes
Amazing to find a flute and a pan flute in the vitrines. The flute was found in Broek op Langedijk. It was made out of the ulnar of a crane. Information in the tablet says that flutes in this part of Europe go back to 36.000 years, but this one is from 0-300AD. The pan flute is made out of boxwood. Only 4 pan flutes were found in Europe and this one from Uitgeest is in the best condition. It was probably imported from the Mediterranean 150-250AD.

A simple beauty, this bell from 450 – 750 AD
huis van hilde - boot
Women’s boot, goat leather, 13nd century
Two great sarcophagi 1100-1200 AD from a city lost in the water – and the story of their finding and lifting from the water on video
huis van hilde dagger
And what about this stone dagger

How to get there
Huis van Hilde in the village of Castricum has easy access. Officially coming by car is not encouraged but you can find enough parking spots at walking distance from the museum. Coming by train is indeed very easy: Huis van Hilde lies right next to the trainstation of Castricum. From Amsterdam Central Station, a train leaves every 20 minutes; traveling time is 25 minutes (from Alkmaar, trains also leave every 20 minutes and traveling time is 10 minutes).

Huis van Hilde
huis van hilde depot figures
The depot in figures: impressive!

You may like other blogs I wrote about archaeological museums:

Archaeological Museum Haarlem
Archaeological Museum Amman
Archaeological Museum Gaziantep
Archaeological Museum Şanlıurfa
Museum of Art and Archaeology of the Périgord

Archaeological Museum Haarlem

archaeological museum haarlemArchaeological Museum Haarlem

This guy lived in the 14th century in Haarlem. The way he looks is estimated as 95% accurate. His bones were found in excavations at the Botermarkt in Haarlem; most probably the graveyard of a former hospital. From his bones it was clear that he suffered from severe diseases like infections and disorders of joints caused by hard labour. The idea is that he died in that hospital, only 34 years old. He was larger than I’d thought: 1 meter 84 which was the normal size for people in that period. A woman working with the police worked on the basis of his bones to bring him ‘back to life’, for us living in the 21st century to identify with and see who made all the things that we find in excavations.

Archaeological Museum Haarlem is a great museumarchaeological museum haarlem. I got all this information from a volunteer who started explaining stuff to me without asking, calmly and politely and very knowledgeable. Thanks to volunteers the Archaeological Museum Haarlem can open five times a week. It is not very big: the size of one room. Both history story lines and the objects are very well presented. Creative methods are used to get stories across and it is very child-friendly. History is in Dutch only – object names are also in English. I am sure a volunteer will be helpful for English speaking visitors. I show here some objects I particularly liked, but there are many more special pieces:

Flintstone arrowheads:
Life in the western part of the Netherlands is older than you maybe thought. There was no stable soil but findings witness that this did not prevent humans from living, chasing, working there.

 

Decorative pins:
The man on the horse is estimated 1500 AD, the round one 1575 -1600 AD. Very beautiful pieces made by real craftsmen.

 


Two jugs:
One is a traditional beardman jug that I saw a lot in museums. The jug with the pointed nose however (1425-1600 AD) is more rare I guess – or maybe I just never saw it. Apparently this type of jug is the beardman jugs’ predecessor. A very fine piece!

 

Ladies’ jug:
I absolutely adored this 14th century jug with the ladies depicted in them.

 

 

Container to collect dripping fat:
I found this one real fun, such a practical invention. It was catching the fat from the roast above the fire. It has a gutter on the right side to cast the fat in a smaller pan and can be hung to the wall through the eye on the right upper side. Someone thought about this before designing it…

Battle for Haarlem:
Not only the museum offers loads of superinteresting info about the battle for Haarlem (against the Spanish, 1572-1573), including the famous lady Kenau Hasselaer – a strong business woman as well as the fighter she is merely known for. They also show it in pictures and a model of the city walls.


Children’s book about 16th century Haarlem:
This idea deserves a price! The objects shown in one of the showcases are also depicted in the book – an excellent integrated approach to make history come alive. Great applause!!!

 

Archaeological Museum Haarlem is small, compared to similar musea in the Middle East but it is special and worth your visit.

Other blogs about archaeological museums you might like:
* Archaeological Museum Amman: caring for 6500 year old child
* Archaeological Museum Gaziantep: ‘just local stuff’
* Stockholm National Historical Museum
* Musée de l’Art et de l’Archéologie du Périgord

 

 

New Rembrandt in the Hermitage Amsterdam

It was an unexpected extra gift at a breakfast meeting of VNO-NCW entrepreneurs at the Hermitage Amsterdam: to see the new Rembrandt painting Portrait of a Young Gentleman exposed since a day in the museum. We were so happy that we could be part of this new joy! The new Rembrandt was discovered by Dutch art collector Jan Six on an auction in London where he bought it for 137.000 pounds only – as a 17th century specialist he knew rightaway that it was a real Rembrandt and he worked two years with several experts to prove it. He published his findings on May 16 as you can read in this NYT-article. The new Rembrandt is a spectacular finding that you can admire in the Hermitage Amsterdam until June 15.

Our meeting in the Hermitage proved us all about the benefits of the Art for Children program. Thousands of children in Amsterdam learn about art every year and some 140 talented kids follow a special program to develop their skills. All this is completely free of charge thanks to many generous donations. The approach is inclusive, children from all parts of the city participate.
   
I was impressed by the size and the quality of the program. Our meeting took place before the opening times of the museum and this is also the moment when children are free to visit 63 top pieces like the fantastic Dutch Masters, coming from the Hermitage St Petersburg and still to be seen in the Hermitage Amsterdam until May 27 (2018). They were watching, discussing, asking questions, making comments or just lying on the floor among top pieces to make their own drawings. I have not just fallen in love with the new Rembrandt but also with the Hermitage itself 🙂
Some specific paintings I like to mention here (it is impossible to describe 63 top pieces from the Dutch Golden Age):

 

Landscape with the prophet Elia
by Abraham Bloemaert (1583-1633)

 

 

 

Portrait of Cornelia Haringh
by Govert Flinck (1615-1660)

 

 

 

 

 

Birds in a parc 
by Melchior d’Hondecoeter (1636-1695)

 

 

 

 

Portrait of an Old Jew
by Rembrandt van Rijn (1606-1666)

 

 

 

 

Also in Amsterdam:
Anne Frank House
Amsterdam Heritage Days
Amsterdam Tower: a must-visit!

Good Night Stories for Rebel Girls

  Today, November 12 2017, the well-known presentator Leila Prnjavorac read one of the great Good Night Stories for Rebel Girls in a gigantic bed in the Public Library of Amsterdam. It was a great act to observe, especially at the moment that all the children imitate the ‘camouflage’ that Queen Nanny (1686 – 1733) taught the Marrons at Jamaica to protect themselves from the English ennemy. See and enjoy the youtube I produced about that particular story (in Dutch, click on the image):

The book Good Night Stories for Rebel Girls has now been translated for Dutch children under the title Bedtijdverhalen voor Rebelse Meisjes. The stories of 100 special women are described in a nice, easy-to-go way in combination with beautiful and colorful images.
Is it possible to be inspiring and practical on a simple page? Yes it is.
For example the book describes the story of an Irish girl who wanted to be a sailor and a pirate. When her father told her that her long read hair would get stuck in the ropes of the sails, she just cut her hair off, leaving her father no other choice than to take her onto the ship. Girls learn that there are solutions to problems they might face and that they can take action all by themselves. And they see what can be achieved. The Irish girl ended up being personal friends with the Queen of England she initially fought against. It is a joy to read the different stories of the book, with women from all over the world, from many cultures.
No shortcomings in this book then? Yes, but just one. The choice was made to describe also the stories of women still alive. That always comes with the risk that they might still do less heroic things after the story was written. For example Myanmarese Aung San Suu Kyi is in the book as a Nobel Price winning political hero. However at this very moment her Nobel Price is heavily discussed due to her negative role in the immense drama of ethnic cleansing of the Rohinya in Myanmar – not exactly the good night story one would choose for one’s kid to tell…
However, this is a minor shortcoming that still leaves 99/100 inspiring stories in the book. Therefor I warmly recommend it for all rebel girls >>> and their mothers!

Bedtijdverhalen voor Rebelse Meisjes
Geschreven door Elena Favilli en Francesca Cavallo
Uitgegeven 2017 door Rose Stories

Another blog you might like: Puteaux: a French world in pink and blue
Or this one: Left Handers Day and high giftedness