Ons’ Lieve Heer op Solder is a special and well hidden treasure in the oldest part of Amsterdam. Ever seen a church in the attic of a canalhouse? For that unique experience, this museum should be on your wish list!
Museum Ons’ Lieve Heer op Solder (Our Lord in the Attic) surprises the visitor who starts his tour in a ‘normal’ canal house and suddenly arrives in a church that can host quite a few visitors. You don’t feel that coming and that was exactly the point for this catholic church. In 17th century, the Dutch Golden Age, the religious war between roman-catholics and protestants was won by protestants in Amsterdam. Catholicism was officially banned but in the meantime, many catholics could still go to hidden churches all over the city – as long as they wouldn’t be visible, they would not be bothered.
At that time, accepting in silence that people would not give up their faith and letting them to worship according to their own rules and wishes was seen as a strong sign of tolerance. Thus Ons’ Lieve Heer op Solder is a museum that shows the roots of tolerance in an intolerant world, a characteristic that was very strong in 17th century Amsterdam that also opened the door for many Jews.
Your visit to Ons’ Lieve Heer op Solder starts in the canalhouse, with rooms like the kitchen here on the right, with stairs leading up and down in the narrowness that is usual in canalhouses in Amsterdam. I loved the stairs maybe even more than the rooms. Pottery is shown that was found in a cesspool, as well as the bedroom of the canalhouse owner.
There is also a room with 18th or 19th century classical design to give you an idea how people lived there at the time. I particularly liked the painted ceiling that you can see at the photograph. After this look into canalhouse-life, you can climb another staircase and boff, there you are, in a church that is not at all visible from the outside.
The colour surprised me. The guard at the entrance knew all about Ons’ Lieve Heer op Solder and answered many questions, also the one on the pink paint in the museum. The church is in it’s original, 19th century state, a Victorian period where this colour was popular. Moreover there are many details and artefacts that are older, like the painting of Jacob de Wit at the altar (first half 18th century) and the organ (1794)
As you can see in the picture, the church has several floors and you can walk downstairs or go to the first floor. The church was founded by a rich German merchant, Jan Hartman in 1663.
Next to the church is the room where the priest lived: Peter Parmentier. He dedicated already decades of his life to the conversion of Amsterdam so probably it was logical that he got the job… While making your tour through the canal house, do not forget to look out of the windows – the view on the canal is beautiful, and at one point also the tower of the Old Church can be spotted!
Ons’ Lieve Heer op Solder is living difficult times (summer 2020) as it seems to loose it’s financial support from the government. I am sure a solution will be found as this is among the oldest museums of Amsterdam and a more than unique reflection of the religiously diverse history of Amsterdam. However, you can contribute yourself by paying a visit to Ons’ Lieve Heer op Solder and/or fund them with your donation. Warmly recommended!
The Coffee Trader is a good book for you, a friend told me and sent me a second hand version by post. My friend was right. What a story about trade in 1659 Amsterdam, where cultures and religions vary and new ways of doing business occur in the markets. David Liss is a writer who knows the word research: he depicts the 17th century with many details of context and history. A great book!
The Coffee Trader tells about Miguel Lienzo, a Jew who lived in Portugal as a converso – a Jew converted to Catholicism – like many other Jews. However the conversos in Portugal were still facing discrimination and many had to fear for their life. So he flew to Amsterdam, at that time a safe haven for Jews. Jews in Amsterdam could practice their religion and be active in trade – although there were plenty of rules between Jews and non-Jews. That in itself is a story so interesting that it is worth to read the book for it. You’ll learn how different communities found a way to live together in a religiously and culturally divided city and have relative peace and justice; at that time, unique in Europe.
Also it is intriguing how converted Portuguese Jews rebuilt
their ‘identity’ in Amsterdam. A well organised structure supported those who
knew little or nothing about that identity. I particularly liked the
description of a woman’s position, Miguel’s brother’s wife Hannah who was
brought up in ignorance, thinking she was a Catholic and unable to read or
write. In Amsterdam, she is suddenly a Jew, supposed to adhere to a religion
and a people that she had learned to despice. She is not walking on that path
New for me was also the idea of a Mahamad, an 17th century authority in Amsterdam that dealt with all matters for Jews: religiously, politically and legally. Together with rich Portuguese tradesmen they supported the poor Jews, so that the Dutch in Amsterdam would not complain about a burden on their back that came with the Portuguese refugees. However, when tudescos, Jews from eastern countries like Poland arrive in Amsterdam, that attitude is less generous. Most of the tudescos are poor. Although they faced very severe persecution in eastern Europe, the Mahamad takes measures to make their life difficult in the hope that they will choose other destinations than Amsterdam. There are really surprising details about the historical context in The Coffee Trader – and by the way nothing that could not be seen today…
Miguel lives in an era where tradesmen can easily become very rich or the opposite: loose everything they have. This period in Holland is called the Golden Age and brought a lot of wealth but it was risky. Miguel lost almost everything in the trade of sugar and now wants to try his fortune in a brandnew product: coffee. He wants to acquire the monopoly over this new drink that he estimates to be very promising. His strategy is breathtaking. And so is his playing field. There are so much rumours and hidden agendas around the trade market of Amsterdam that the story is a dazzling experience for the reader. It is really difficult to remember all that’s happening or has been said or might be possible. And that was exactly the reality for tradesmen in 1659 Amsterdam. How can they make their daily decisions without an excellent memory and the right focus?!
Many ethical questions come with the way business was done amid rumours and hidden agendas. Intriguing is the fact that in the end, the hidden agendas Miguel expected were exagerated. Half of them can be interpreted as misunderstandings or even imagination. An interesting lesson learned – but still, when bankruptcy is around the corner for tradesmen who do not watch their backs in the all or nothing market of 1659 Amsterdam, maybe inevitable.
Even though The Coffee Trader appeared already in 2000, this book is of great interest also in 2020. In the light of history, these 20 years do not matter at all. Go read it if you love Amsterdam, if you love trade, if you love history, if you love Jews and the Dutch, if you love risk taking and of course: if you love coffee! The Coffee Trader exists in Dutch under the title Handelaar in koffie.
I often went to the beautiful city of Hoorn but I never visited the Westfries Museum Hoorn. That was a mistake! When I finally took the step to visit last week, I saw how beautiful it is, both the ancient building and the collection; I should have gone there before… Learn about the Dutch Golden Age, the 17th century when the Netherlands were a brandnew state, full of ambition in wartorn Europe. Enjoy the attractive presentations!
Westfries Museum Hoorn is like the Frisians are: it won’t easily show from the outside what is in it. I was never aware that behind the walls of the indeed beautiful ancient building, a wealth of antiquities awaits the visitors. Rooms are decorated like they were in the 17th century. The picture to the left shows a wood carving in a chimney (oak), of men catching a whale: a wonderful picture. This is in the ‘tavern’, a real nice room where you can imagine how people sat together for eating and drinking.
17th paintings are everywhere. The museum has got magnificent pieces and they have a lot of them. Moreover it is far less busy than museums in Amsterdam so you have all the time you like to watch them in peace and silence. It is incredible how this 17th century ‘beginning’ country The Netherlands that was threatened from all sides, both by real ennemies like England and Spain, and by natural ennemies such as sea and rivers, built up an imperium with little means, by joining forces together and showing guts and re-thinking trade. It made cities like Hoorn thrive abundantly. Look at this wonderful painting Hoorn View by Hendrick Vroom in 1622 – admire the colours, the details…
Another painting I particularly liked is the Kitchen maid who cleanes fish in front of farm with dog by Egbert Lievenzs. van der Poel (1621-1664). It is so different from the paintings of all the important guys (Westfries Museum Hoorn has many in this kind). Ordinary life with ordinary people can be as interesting or even more than the endless row of portraits on all the other walls.
Now I show you some other pieces that attracted my attention. It is only a selection, to give you an impression of what to expect and indeed I was deeply impressed. Enjoy the variety of what the Westfries Museum Hoorn has to offer!
The best piece for book lovers: chronicles of Hoorn, published in 1740. Telling the begin and the growth of Hoorn, and in particular the events (the ‘troubles’) until the year 1630. Written by Theodorus Velius, a doctor and a well know chronicler who wrote this in 1704. You can find the tekst of the first pages (in Dutch) on this site. The 1740 version has annotations by another expert, what a joy. Imagine how they produced this, in a time that a book was printed page by page!
Cutting art, art produced by cutting with scissors; it was difficult to photograph because of the glass reflection as you can see but hopefully you can get a good impression. De Faem was made by Gilles van Vliet, a vinegar maker and wine merchant in Rotterdam 1686. This was only his hobby! But his work had a certain fame because of his ‘excellent curieuse pieces’. Absolutely amazing work and you wonder where someone finds the patience for this art…
Down in the cellar, a lovely niche is reserved for this wooden Maria statue. It dates from 1450 – 1500, is made out of oak, the crown is made of gold with silverthread, pearls and gemstones. A sign mentions that it is called a ‘Maria in sole’ because she stands on a crescent moon, and she is lit by the sun and the stars, as described in Johannis’ Revelations. The cellar was totally quiet when I was there; it is a good place for meditation and prayer. Two chairs in the little niche facilitate visitors to do so.
Also in the cellar are these tiles, deriving from a farm in Andijk, not far from Hoorn in Westfriesland, dating from 1700-1730. The whole piece forms a ‘wall heater’ and depicts biblical scenes. There are more ‘wall heaters’ in the cellar as well as other interesting tiles. So do not forget to visit the cellar – if you skipp that part of the museum, you really miss something!
Another underground treasure: this painting that is part of a large piece, a tryptich, the Hoorn Panel of Justice. It used to hang behind the judges at the wall of the court room of the old townhall and shows the assumptions of jurisdiction. Most probably several painters worked on it from 1521 – 1530 and it contains 5 stories. I loved story number 4 (on the photograph), the Verdict of Herkenbald. Herkenbald of Bourbon was very ill in his bed when he ordered that his cousin had to be locked up for assaulting a maid. His order was not followed. Therefor Herkenbald cut the throat of his cousin all by himself. Whew…. I stood there thinking what this meant for the court room and the judges that were sitting in front of this painting in the 16th century… What could be the right interpretation of this story?
This is one other of those incredible museum pieces. The painting dates from 1589, that is now exactly 430 years ago. And what do they show here? The Westfries Museum Hoorn does not just have the painting, it also has the original box that is depicted in the painting. Isn’t that wonderful? I stood there in surprise and believe me, it matches: the box is exactly the box that was painted 430 years ago. Little is known about the painting, the sign mentions ‘two members of the Saint Joris Guild’ – oil painting on linen. OK, so far what we can know about it. As said knowing is not always the most interesting part.
Another very interesting piece, the gold plated silver Bossu Goblet: I did not find this beautiful or so but it served as a trophy for Hoorn and that is intriguing. It once belonged to the Spanish admiral Maximilien de Hénin-Liétard, the earl of Bossu. In the eternally ongoing war at that time (the 80 year war) the admiral was defeated in 1573 in a war on the water (or sea) close to Hoorn. The goblet in the hands of the people of Hoorn symbolized the new power of the city of Hoorn (and Enkhuizen, also in Westfriesland) that thrived after this heavy battle against the Spanish that they won. I find it so interesting in the Westfries Museum Hoorn, that every object has a story with historical relevance.
A coffin dating from 1658: who knows how many bodies were transported in this coffin? Intriguing that it has been preserved during centuries. The four corners are decorated with silver plate angels. I did not find any further explanation about this piece (feel free to comment below!) such as until when it was used and whether it was for the rich only or also for ordinary people. However, very beautiful…
How often do you see table ware with a hare? Here they are, in different shapes and colours. I loved them! Just for the motive. But if you like to know more, this is berretino-style faience from Liguria, Italy, 1580 – 1620. It appears that the coloured one is a local copy of the Italian work – quite a succesfull one, imo 🙂 –
Last but not least, I found this silver miniature, dating from 1751. The name of the maker is Arnoldus VAN GEFFEN – not really family I guess but I rarely hear my family name in this region far ‘above the rivers’ > Geffen is a village below the large Dutch rivers. So I was happily surprised! Well done Arnoldus, I love your silverwork 🙂 –
20 maart was de dag van de Provinciale Statenverkiezingen 2019: velen gingen naar de stembus, u en jij waarschijnlijk ook. Voor een stem op de VVD wil ik mijn dank uitspreken en in het bijzonder als ik op lijst 1, plaats 12 een voorkeursstem mocht krijgen: superdank!
25 maart kwamen de definitieve uitslagen van de verkiezingen: voor mij geen zetel nu. Wel het prachtige aantal van 2816 voorkeursstemmen: als het alleen aan de stemmen had gelegen, had ik nu in de Provinciale Staten gezeten. Voor een voorkeurszetel waren 5301 stemmen nodig, dus het was echt niet genoeg. Maar het grote aantal is wel opgevallen, dat haal je niet vaak op een plaats nummer 12. Daarmee wordt toch aangegeven dat er groot maatschappelijk draagvlak is voor mijn kandidatuur, zeker ook als je bedenkt dat de eerste 10 mensen op de lijst vanuit de VVD online-campagne actief ondersteund werden en degenen die lager stonden niet. Ik hoop dat er op een later moment kansen zijn om in te stromen en de visie waarop mijn kandidatuur rust in te kunnen brengen. Graag wil ik een ieder die hieraan heeft bijgedragen ontzettend danken voor het vertrouwen!
Tijdens de campagne van de afgelopen weken heb ik veel mensen gesproken: op straat, bij mij thuis tijdens de huiskamerbijeenkomsten, online, bij debatten en andere events. Het is zo belangrijk dat mensen zich vertegenwoordigd voelen door iemand, ook in de provincie. Die persoon wil ik graag zijn.
De provincie Noord-Holland lijkt veraf te staan van bestuurlijk Amsterdam en vice versa. Ik wil de komende jaren werken aan verbinding want alleen zo verbeteren zaken als wonen, toerisme en bereikbaarheid. Ik ben de enige Amsterdamse vrouw op de VVD lijst, én een ondernemer die zich graag inzet voor doeners binnen en buiten Amsterdam.
Een onderwerp waar de provincie niet over gaat maar dat in veel gesprekken werd genoemd: hard werken en weinig geld overhouden door de stijgende kosten van huur, zorgverzekering, boodschappen enz. Daar moet de VVD iets mee want werken moet juist worden beloond. Gelukkig zijn er al mensen opgestaan die met dit thema aan de slag willen. Vanuit de provincie ga ik daaraan bijdragen wat ik kan!
Op 10 en 17 maart organiseer ik twee huiskamerbijeenkomsten, met de Amsterdamse gemeenteraadsleden Hala Naoum Nehmé en Marianne Poot; je kunt er in alle rust praten over wat jou beweegt. Geef je nu op via deze link!
Hoe vaak kun je nou eens in alle rust spreken met mensen die in de politiek zitten? Meestal is het in drukke zaaltjes, aan de rand van vergaderingen, onder het oog van camera’s. Daarom organiseer ik twee huiskamerbijeenkomsten waarin je van gedachten kunt wisselen in een plezierige sfeer. * op 10 maart: met Hala Naoum Nehmé – binnen en buiten de gemeenteraad hoor je haar over Wonen, een van de belangrijkste taken die zij vervult in de Amsterdamse politiek. * op 17 maart: met Marianne Poot – al jaren bekend van Veiligheid, ze voert ook het woord over Schiphol en is de nieuwe fractievoorzitter van de Amsterdamse VVD.
De gesprekken worden begeleid door Laurent Staartjes, lid van de bestuurscommissie West. Zelf ben ik kandidaat voor de Provinciale Staten Noord-Holland, denk daarvoor aan onderwerpen als Mobiliteit, Wonen, Energietransitie, Klimaat, Cultuureducatie en Erfgoed en natuurlijk de provinciale belastingen (die zijn in Noord-Holland het laagst dankzij de VVD en wat ons betreft blijft dat zo).
Kortom, je krijgt op zo’n middag 3 voor de prijs van 1: stadsdeel, gemeenteraad en provincie! We beginnen om 15 uur en natuurlijk sluiten we af met een borrel.
Nieuwsgierig? Je bent van harte welkom, het maakt niet uit of je ervaring hebt in de politiek of zoiets gewoon een keer wilt meemaken. Je kunt alleen komen luisteren of juist je eigen mening naar voren brengen – we zijn nieuwsgierig naar wat jou beweegt. Geef je op via deze link.
Huis van Hilde, in english Hilde’s House, ‘is home to a spectacular exhibition of the archaeology and human history of Noord-Holland’: thus the introduction of the museum website. Nothing in these words is exagerated. Huis van Hilde is a fascinating museum where old findings are combined with new technologies in a way I didn’t see before in archaeological museums. That makes your visit a high quality experience!
Heavy fighting of the people of Holland with the people of Westfrisia in 1297 has left traces in bones that were found in the medieval village of Vronen, close to actual Alkmaar. They prove that the fighting was not just about winning but also about setting an example, learning the Westfrisians a lesson once and for all. Traces of stabbing with swords show the cruelties committed.
That history is the first thing you see when you enter the museum part of Huis van Hilde. It is intriguing to learn that in the 13th century there were both women and men in the fight. Every artefact shown in Huis van Hilde can easily be looked up in the tablets: this really opens a complete collection without being boring (if you’re not interested, you just don’t look into it).
Screens on the walls show videos with more historic background or archaeological research. Findings of skeletons are used to bring people back to life, like the Archaeological Museum of Haarlem had done. The skeleton on the left here belonged to a man from the stone age (2500BC). The picture below shows the man as he must have looked in real life.
Models of farms show how people lived during different ages. And so on. Huis van Hilde is a very rich museum and very capable too: they know how to show you their treasures. Languages used are Dutch, English and German; the tablets are Dutch only but very clear, you might be able to understand stuff. I can only show some of the artefacts I liked here: there is a lot more to see. Artefacts I liked:
Two wooden canoes Found in the soil of Noord-Holland.
On top is a canoe from Uitgeest 600 BC
Below is a canoe from the Wieringermeer polder 3300 BC.
Sacrifice and ritual Very interesting objects found in a sacrificial site at Velserbroek. During ages, starting at Iron Age, people threw objects in the bog such as jewelry, human bones, coins and pots. The presence of animal skulls – horses and dogs – and spearheads indicate worship of the Germanic god Wodan.
Flutes Amazing to find a flute and a pan flute in the vitrines. The flute was found in Broek op Langedijk. It was made out of the ulnar of a crane. Information in the tablet says that flutes in this part of Europe go back to 36.000 years, but this one is from 0-300AD. The pan flute is made out of boxwood. Only 4 pan flutes were found in Europe and this one from Uitgeest is in the best condition. It was probably imported from the Mediterranean 150-250AD.
How to get there Huis van Hilde in the village of Castricum has easy access. Officially coming by car is not encouraged but you can find enough parking spots at walking distance from the museum. Coming by train is indeed very easy: Huis van Hilde lies right next to the trainstation of Castricum. From Amsterdam Central Station, a train leaves every 20 minutes; traveling time is 25 minutes (from Alkmaar, trains also leave every 20 minutes and traveling time is 10 minutes).
You may like other blogs I wrote about archaeological museums:
This guy lived in the 14th century in Haarlem. The way he looks is estimated as 95% accurate. His bones were found in excavations at the Botermarkt in Haarlem; most probably the graveyard of a former hospital. From his bones it was clear that he suffered from severe diseases like infections and disorders of joints caused by hard labour. The idea is that he died in that hospital, only 34 years old. He was larger than I’d thought: 1 meter 84 which was the normal size for people in that period. A woman working with the police worked on the basis of his bones to bring him ‘back to life’, for us living in the 21st century to identify with and see who made all the things that we find in excavations.
Archaeological Museum Haarlem is a great museum. I got all this information from a volunteer who started explaining stuff to me without asking, calmly and politely and very knowledgeable. Thanks to volunteers the Archaeological Museum Haarlem can open five times a week. It is not very big: the size of one room. Both history story lines and the objects are very well presented. Creative methods are used to get stories across and it is very child-friendly. History is in Dutch only – object names are also in English. I am sure a volunteer will be helpful for English speaking visitors. I show here some objects I particularly liked, but there are many more special pieces:
Life in the western part of the Netherlands is older than you maybe thought. There was no stable soil but findings witness that this did not prevent humans from living, chasing, working there.
The man on the horse is estimated 1500 AD, the round one 1575 -1600 AD. Very beautiful pieces made by real craftsmen.
Two jugs: One is a traditional beardman jug that I saw a lot in museums. The jug with the pointed nose however (1425-1600 AD) is more rare I guess – or maybe I just never saw it. Apparently this type of jug is the beardman jugs’ predecessor. A very fine piece!
I absolutely adored this 14th century jug with the ladies depicted in them.
Container to collect dripping fat:
I found this one real fun, such a practical invention. It was catching the fat from the roast above the fire. It has a gutter on the right side to cast the fat in a smaller pan and can be hung to the wall through the eye on the right upper side. Someone thought about this before designing it…
Battle for Haarlem:
Not only the museum offers loads of superinteresting info about the battle for Haarlem (against the Spanish, 1572-1573), including the famous lady Kenau Hasselaer – a strong business woman as well as the fighter she is merely known for. They also show it in pictures and a model of the city walls.
Children’s book about 16th century Haarlem:
This idea deserves a price! The objects shown in one of the showcases are also depicted in the book – an excellent integrated approach to make history come alive. Great applause!!!
Archaeological Museum Haarlem is small, compared to similar musea in the Middle East but it is special and worth your visit.
It was an unexpected extra gift at a breakfast meeting of VNO-NCW entrepreneurs at the Hermitage Amsterdam: to see the new Rembrandt painting Portrait of a Young Gentleman exposed since a day in the museum. We were so happy that we could be part of this new joy! The new Rembrandt was discovered by Dutch art collector Jan Six on an auction in London where he bought it for 137.000 pounds only – as a 17th century specialist he knew rightaway that it was a real Rembrandt and he worked two years with several experts to prove it. He published his findings on May 16 as you can read in this NYT-article. The new Rembrandt is a spectacular finding that you can admire in the Hermitage Amsterdam until June 15.
Our meeting in the Hermitage proved us all about the benefits of the Art for Children program. Thousands of children in Amsterdam learn about art every year and some 140 talented kids follow a special program to develop their skills. All this is completely free of charge thanks to many generous donations. The approach is inclusive, children from all parts of the city participate.
I was impressed by the size and the quality of the program. Our meeting took place before the opening times of the museum and this is also the moment when children are free to visit 63 top pieces like the fantastic Dutch Masters, coming from the Hermitage St Petersburg and still to be seen in the Hermitage Amsterdam until May 27 (2018). They were watching, discussing, asking questions, making comments or just lying on the floor among top pieces to make their own drawings. I have not just fallen in love with the new Rembrandt but also with the Hermitage itself 🙂
Some specific paintings I like to mention here (it is impossible to describe 63 top pieces from the Dutch Golden Age):
Landscape with the prophet Elia
by Abraham Bloemaert (1583-1633)
Portrait of Cornelia Haringh
by Govert Flinck (1615-1660)
Birds in a parc
by Melchior d’Hondecoeter (1636-1695)
Portrait of an Old Jew by Rembrandt van Rijn (1606-1666)
Today, November 12 2017, the well-known presentator Leila Prnjavorac read one of the great Good Night Stories for Rebel Girls in a gigantic bed in the Public Library of Amsterdam. It was a great act to observe, especially at the moment that all the children imitate the ‘camouflage’ that Queen Nanny (1686 – 1733) taught the Marrons at Jamaica to protect themselves from the English ennemy. See and enjoy the youtube I produced about that particular story (in Dutch, click on the image):
The book Good Night Stories for Rebel Girls has now been translated for Dutch children under the title Bedtijdverhalen voor Rebelse Meisjes. The stories of 100 special women are described in a nice, easy-to-go way in combination with beautiful and colorful images.
Is it possible to be inspiring and practical on a simple page? Yes it is.
For example the book describes the story of an Irish girl who wanted to be a sailor and a pirate. When her father told her that her long read hair would get stuck in the ropes of the sails, she just cut her hair off, leaving her father no other choice than to take her onto the ship. Girls learn that there are solutions to problems they might face and that they can take action all by themselves. And they see what can be achieved. The Irish girl ended up being personal friends with the Queen of England she initially fought against. It is a joy to read the different stories of the book, with women from all over the world, from many cultures.
No shortcomings in this book then? Yes, but just one. The choice was made to describe also the stories of women still alive. That always comes with the risk that they might still do less heroic things after the story was written. For example Myanmarese Aung San Suu Kyi is in the book as a Nobel Price winning political hero. However at this very moment her Nobel Price is heavily discussed due to her negative role in the immense drama of ethnic cleansing of the Rohinya in Myanmar – not exactly the good night story one would choose for one’s kid to tell…
However, this is a minor shortcoming that still leaves 99/100 inspiring stories in the book. Therefor I warmly recommend it for all rebel girls >>> and their mothers!
2000 inhabitants of Amsterdam got free tickets to visit the Anne Frank House during evening hours without queues. I was lucky to be one of them: a great initiative, thanks! It was wonderful to wander through the ‘Achterhuis’ in a quiet and respectful atmosphere.
The Anne Frank House is not far from my home and I pass the long rows of tourists a few times a week or I better say: try to pass….It is always busy, noisy, not a place where you’d like to go as an inhabitant.
I think I went there once, as a child – I remember it quite well, especially the book case (on the picture) that served as protection from the entrance to the hide-out of 8 Jewish people. These people spent 2+ years there but were betrayed at the end and only one of them, the father of Anne Frank, survived the holocaust.
Compared to my childhood visit many elements were added in the ‘museum’; quotes on walls or on blinded windows – short video’s from witnesses, classmates of Anne and the like. They are very impressive.
What I remember most are the words of Otto Frank on his daughter’s diary. He always felt close to his daughter but when he read her diary after the war, he realized that she never showed the deep thoughts and feelings that she wrote down. Since that moment he thinks that parents rarely know their children to the full. I guess that could be true. The way he expresses is very refined and respectful towards his daughter. I cannot write it down, you have to go visit the Anne Frank House and see that movie to understand the impression it made. And then imagine that he read that diary when she had already died (when she had already been killed). He would never have the opportunity to ask her any question any more…
I really thank the Anne Frank House for this opportunity. I wonder why this does not become more usual in Amsterdam. As for me, it is not about the free ticket, but the fact that I could go at 21.00h (I came home from work only at 19.30 and had to have dinner first) and that I did not need to wait in a queue or go in with plenty of loud speaking tourists. Would it be financially difficult for musea to have similar evening offers or are they just not used to opening hours in the evening?
As for the Anne Frank House tonight, it left me with quite some emotions as we live in difficult times and the idea that ‘it could happen again’ is in the hearts and minds of many. A place for remembrance and reflection, most valuable.
It is new and it is brilliant, the Adam Tower – a remake of the former Shell research labs in Amsterdam. I had a great time this week while giving a presentation about dealing with international business and culture in front of spectacular views over Amsterdam. Nevertheless my public was highly attentive, for a moment I doubted whether they would be with me at all but they did 🙂
If you look at the photo above and you see the 9 meter high windows in top of the building, that is where I stood – and here are some pictures of the views:
The making of the Adam Tower is a story out of a wizard book: three Dutch guys who were succesfull in the international music scene decided to cooperate in this and won the battle for the tower in competition with 34 other interested parties. They turned it into a combination of music company offices, a hotel, different bars, restaurants and clubs with a 360° turning restaurant in top: a music tower!
On top they offer a platform for all inhabitants of Amsterdam and our tourists to watch the spectacular panorama and to take a seat in Europe’s highest swing: the Amsterdam lookout. Alas I had serious business to do when I was there so I definitely have to come back to experience that swing!
Our city is blessed with these creative entrepreneurs who make such major contributions to the quality of life in Amsterdam: well done, thank you guys!
Last but not least an photo-impression (made with my phone, lack of quality, in reality much better) of the elevator going up: the music experience starts already from there…