How to make a movie that is only playing in a taxi and does not bore any minute? Taxi Teheran is a succesfull try-out of that concept although not by free choice alone. Jafar Panahi, maker of the movie and also its main character has a history of struggling with censure and oppression in his country Iran. He is not allowed to make movies during 20 years and this movie, Taxi Teheran, was made secretly and smuggled out of the country.
The movie is very funny with many surprising moments, and it has a groundtune of sadness underneath. As such, it is very Iranian: Iranians usually are well developed, social, bright and full of life, they know how to make the best out of difficult circumstances. But that does not mean that they do not feel the difficult circumstances, especially the oppression.
In Taxi Teheran we see a wonderful mix of people entering and leaving Jafar Panahi’s taxi. Even the concept ‘taxi’ in Teheran is different from other countries and that in itself creates unexpected situations. Taxi Teheran shows a lot of interesting interaction between a variety of inhabitants of Teheran. And it gives some great insights in the well developed double face of Iran, in survival and creativity against the odds.
Other movies I wrote blogs about and that you might like:
Banana pancakes and the childres of the sticky rice