Visages villages: brilliance of the normal

In the film Visages Villages two outstanding artists, 88 year old filmmaker Agnès Varda and 33 year old photographer JR, show the brilliance of the normal in a way that has not been done before. In JR’s van that is equiped to produce on-the-spot photo posters they cross villages and a harbour in search of people to photograph – and spots to present them on. The effect of their method is outstanding from the point of view ‘art and creativity’ and most moving for the individuals that are touched by their initiative.

The woman ‘who was just a server in the restaurant’ becomes – through her poster on the wall of a house – the most photographed woman of the village; the wives of the tough men working in the harbour are drawn out of the shadow into the light, both vulnerable and strong; the only inhabitant left in mine workers houses, almost forgotten by the world, becomes a monument of resistance; and so on. What is absolutely unique about this road movie that could also be called a road documentary, is the normality  shown in its full brilliance. It shows that normality can be infinitely more interesting and great than the special.

While creating all this, the dynamics between Agnès Varda and JR in and outside JR’s van follow their own road, interesting in itself. These people that differ so much in age find common ground in ambition, personal traits and mutual respect. From a vivid wheelchair run through Musée du Louvre in Paris to sharing sadness and perspectives on life: it forms one breathtaking story for the spectators.
Visages Villages seems to be composed out of many different elements without too much connection. Yet this film shows you life like it is and life seated still sit in your cinema chair, long after the subtitles have gone; thoughtful, amazed, and happy.

Prix Festival de Cannes: L’œil d’or pour Meilleure Film Documentaire

Trailer Visages Villages

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